Cats in Art: Henry Clark's Mother-in-Law...(Hunt)

From my continuing weekly Sunday series of cats in art.  Having moved on from Stefano Zuffi's marvelous work, The Cat in Art, I am now using some ideas from Caroline Bugler's equally impressive book, The Cat/3500 Years of the Cat in Art.  You really should check out and/or own both of these wonderful works, easily available on Amazon or eBay (and I have no financial interest).

Image credit The Athenaem, Henry Clark's Mother-in-Law, Mrs. Davies and Four of Her Children in the Drawing Room of Her Home, William Holman Hunt, 1846, oil on canvas, 30" x 24", held by Geffrye Museum - London.

And the kitty close-up, including a couple of the strange-looking children:

And what is that over on the right, on the rug just in front of the fire?  A hat, a cat, a cow head, or a skunk?

This has to be one of the creepiest paintings containing a cat, ever.  Those four kids, in addition to being physically disproportioned, simply look possessed, while the mother looks, well, determined.  Or something.  About what, we do not know.  But the only normal thing in the painting is the white cat.

It may take a trip to London, to the Geffrye Museum, to actually stand in front of this painting, to figure this one out.

[Gary note: With my Cats in Arts posts, I encourage you to scope out the art appreciation site Artsy (I have no financial interest in the site, I just like it), where you can explore many aspects of the world of art.  You'll certainly be entertained and enlightened!]

Cats in Art: The Awakening Conscience (Hunt)

From my continuing weekly Sunday series of cats in art.  Having moved on from Stefano Zuffi's marvelous work, The Cat in Art, I am now using some ideas from Caroline Bugler's equally impressive book, The Cat/3500 Years of the Cat in Art.  You really should check out and/or own both of these wonderful works, easily available on Amazon or eBay (and I have no financial interest).

Image credit The Tate Museum, The Awakening Conscience, William Holman Hunt, 1853, oil on canvas, 30" x 22", held by The Tate Museum, London, England.

And the (unfortunately dark) kitty close-up, from the left edge under the table:

Bugler tells us this:

The cat crouching under the table plays a central role in this drama of a young woman's moral wakening.  Just as an unfortunate bird is trying to escape its clutches, so the kept woman is rising from her lover's lap, suddenly aware of the the need to extricate herself from a sinful way of life.

Me?  I'm thinking that many times in our lives we find ourselves in a situation where the realization just dawns: this is wrong, this is bad, must bail (today's political landscape engenders in me the same helpless feeling and the desire to return to normality).

The cat seems aware of the woman's plight and in a strange way seems sympathetic, as evidenced by the cat's interested and almost pleading expression: "Do the right thing!"


[Gary note: With my Cats in Arts posts, I encourage you to scope out the art appreciation site Artsy (I have no financial interest in the site, I just like it), where you can explore many aspects of the world of art.  You'll certainly be entertained and enlightened!]