This is part 2 of 7 of a multiweek study of the cat art of Suzanne Valadon. A French painter (1865-1838), she had quite the interesting life (summarized from Wikipedia):
Suzanne Valadon became a circus acrobat at the age of fifteen, but a year later, a fall from a trapeze ended that career. In Paris, she pursued her interest in art, first working as a model for artists, observing and learning their techniques, before becoming a noted painter herself. She modelled for Henri de Toulouse-Lautrec (who gave her painting lessons) and Pierre-Auguste Renoir....Valadon frequented the bars and taverns of Paris along with her fellow painters, and she was Toulouse-Lautrec's subject in his oil painting The Hangover....Valadon painted still lifes, portraits, flowers, and landscapes that are noted for their strong composition and vibrant colors. She was, however, best known for her candid female nudes. A perfectionist, she worked on some of her oil paintings for up to 13 years before showing them....A free spirit, she wore a corsage of carrots, kept a goat at her studio to "eat up her bad drawings", and fed caviar (rather than fish) to her "good Catholic" cats on Fridays....Both an asteroid (6937 Valadon) and a crater on Venus are named in her honor.
Image credit Wikipaintings, Two Cats, 1918, Suzanne Valadon, oil on canvas, held in private collection.
This painting was not in Zuffi's book, so I'll have to be the art critic here. I guess the thought I have is that Valadon captures so very well the notion of cats being buddies. In this case, it's being buddies with another cat; in subsequent weeks we'll see paintings of cats being buddies with people.
I think that when cats snuggle up, whether with another cat or with one of their people, they unconsciously embody the words from the Edgar Allen Poe poem, Annabel Lee:
And this maiden she lived with no other thought
Than to love and be loved by me